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Scarlet Splendour
At India Design ID 2025, Mumbai, Scarlet Splendour unveiled a chapter that redefined luxury and rarity for the discerning few. The first glimpse of NFA - Not For All, a limited, numbered collection of sculptural masterpieces handcrafted in Kolkata. Within the booth, the air shimmered with brass, copper, steel and cosmic imagination as Ashish Bajoria and Suman Kanodia introduced creations that stood between the unimaginable and the tangible. From the grand Orbit Bar and dimensional Orbit Panel to the celestial allure of the Galaxy Wall Art I and the radiant Celestial Loop, each piece was more than furniture, it was a phenomenon. Over three days, leading architects, designers and collectors from around the country gathered around the booth, pausing, staring, photographing, as the word spread: this was the most talked-about experience of ID 2025. Scarlet Splendour didn’t just exhibit, it proved. That the rare will always belong only to the few and that is why it is Not For All.
The rarest stories aren’t told at once, they unfold, like the Orbit Bar. A monumental sculpture in brass and copper marquetry that opens into a celestial stage for the rarest spirits. Each curve echoes planetary glory, each shelf gleams like an astral secret.
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A universe, sculpted for your walls. Galaxy I brings copper and brass together in patterns that move with light and shadow, alive with celestial rhythm. It is visual alchemy, where constellations shimmer as you move, a creation for those who see beyond design into the cosmos of imagination.
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A gorgeous garland of cast brass orbs suspended in motion, the Celestial Loop floated above the booth like a dream made real. Its gentle golden glow blurred the boundary between form and feeling, a light that didn’t just illuminate but mesmerised.
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Where copper skies meet floating brass planets, the Celestial Console drew visitors into an astral dreamscape. Each surface, each hinge, each gleaming orb was a celebration of craft and cosmic precision. A cabinet that opened not with drawers but with awe.
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A golden cloud that landed on Earth. Designed by Richard Hutten, the Wolk Chair embodied the union of European vision and Indian craftsmanship. Its hand-finished brass form, inspired by mammatus clouds, floated between surreal form and ergonomic comfort.
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Step closer and you’ll wonder if it’s art, architecture, or a portal. The Orbit Panel suspends gold and copper orbs in Scarlet Splendour’s signature marquetry. And transforms walls into dimensional dreams, catching light and imagination with equal precision.
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A throne of molten brass and copper gradients, the Mystic Table brought mystique and majesty to the floor. Fluid yet functional, sculptural yet intimate, it stood as a testament to the Indian craft of casting and finishing metal with divine detail.
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The Totem towered like an ancient sentinel of modern imagination. Cast in pure brass, its sculptural form carried the resonance of ritual and the language of abstraction. It was less an object, more a force, commanding reverence from all who passed by.
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Descending from the skies of bold imagination, the Meteor Boxes became instant collectibles. Each handcrafted in India, French straw marquetry lids atop faceted gold bases, they glowed like fragments of a forgotten galaxy. Proof that even small objects can hold immense beauty.
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